Howling IV: The Original Nightmare | |
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Video release cover |
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Directed by | John Hough |
Produced by | Harvey Goldsmith, Steven A. Lane, Avi Lerner, Robert Pringle, Edward Simons, Harry Alan Towers, |
Written by | Gary Brandner (novel), Freddie Rowe, Clive Turner |
Starring | Romy Windsor, Michael T. Weiss, Antony Hamilton, Susanne Severeid |
Music by | David George, Barrie Guard, Justin Hayward |
Cinematography | Godfrey A. Godar |
Editing by | Malcolm Burns-Errington, Claudia Finkle |
Distributed by | Warner Bros. |
Release date(s) | 1988 |
Running time | 94 min. |
Country | United Kingdom |
Language | English |
Budget | $2,000,000 |
Howling IV: The Original Nightmare is a 1988 direct-to-video horror film. It is a sequel to The Howling, and was directed by John Hough from a screenplay by Freddie Rowe and Clive Turner, this is the first Howling film distributed by Warner Bros..[1]
It stars Romy Windsor, Michael T. Weiss, Antony Hamilton, Susanne Severeid, and Lamya Derval. International Video Entertainment (IVE) released this film directly to home video in 1988. Platinum Disc Corporation released it to DVD in 2004. It was filmed on location in South Africa. The back of the DVD shows scenes from Howling III.
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After experiencing visions of a nun, author Marie Adams (Romy Windsor) is in the middle of a meeting with her agent, Tom Billings (Antony Hamilton), when she has another vision of a wolf-like creature lunging from a fire, and begins to scream hysterically. Marie’s husband, Richard (Michael T. Weiss), discusses her condition with her doctor, agreeing that Marie’s overactive imagination is leading her into some dangerous territory. The doctor advises Richard to take Marie away from the pressures of her life for a few weeks. Richard locates a cottage in the small town of Drago, some hours from Los Angeles. Tom drives Marie there, but then departs quickly in the face of Richard’s unconcealed hostility. Marie looks around the cottage and declares it to be perfect; but that night, while she and Richard are making love, Marie is disturbed by the sound of howling out in the woods.
The next day, Marie and Richard look around Drago, where they meet the mysterious Eleanor (Lamya Derval), a local artist who owns a shop of antiques and knick-knacks, and the Ormsteads, who run the local store. Marie takes her dog for a walk, and becomes distressed when he runs off. That night, Marie dreams of wolves, of herself running through the woods, and of the same nun of whom she had visions. Richard drives into L.A. for a meeting, and Marie spends time chatting with Mrs Ormstead, who tells her about the previous couple to occupy the cottage, and that they left town without a word. Marie is walking home through the woods when, suddenly, she sees before her the nun of her visions. She runs after her – but it turns out to be Eleanor in a dark cape. Eleanor points out a short-cut to the cottage, which Marie takes. On the way she discovers a cave, and what’s left of her dog.
In horror, Marie runs through the woods, suddenly aware that she is being pursued. At the cottage, Richard quiets his hysterical wife and checks outside, but sees nothing; not even the dark figure nearby. The next morning, Marie witnesses a strange apparition: an elderly man and woman who appear in her living-room and who warn her to go away. Marie is momentarily distracted by a car pulling up outside, and the next instant her ghostly visitors are gone. The newcomer is Janice Hatch (Susanne Severeid), who is holidaying in the area and is a fan of Marie’s writing. Marie invites her in and, as they are talking, mentions the howling that she hears at night.
After some hesitation, Janice reveals that she used to be a nun, and that her closest friend, Sister Ruth (Megan Kruskal), disappeared over a year ago, only to be found in Drago speaking incoherently of the devil, and a bell, and the sound of howling. After a long illness, Ruth died without ever being able to explain what happened to her; and Janice, determined to discover the truth, left the convent. Marie is disturbed by the mention of a nun, and becomes even more so when Janice shows her a photograph of Sister Ruth: it is the nun from her visions.
This film has not generally been well received by horror fans due to little on-screen werewolf activity. Fangoria awarded the film it's 1988 Golden Chainsaw award for Best Direct-to-Video Feature.
This film's story bears a close resemblance to the plot of the first film, and in fact is a much more faithful adaptation of Gary Brandner's original Howling novel than the original film. It does, however, differ in some key ways, for example; character names are changed (presumably due to them having been used in the original film) and Max Quist, a rapist who is the catalyst for the events of the original The Howling novel and inspiration for the character of Eddie Quist in the original The Howling film is not featured by any name in this film. Instead, Marie's trauma is left ambiguous, though it is suggested that her visions are supernatural.
Co-writer Clive Turner also stars in the film as a tow truck driver. Turner also worked on the subsequent Howling V: The Rebirth and wrote and directed the seventh film in the "Howling" series, Howling: New Moon Rising.
The film's theme song "Something Evil, Something Dangerous" was performed by Justin Hayward, lead singer of The Moody Blues.
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